L
y n n C a r l s o n . u s Art Consultant Consultora en las materias del arte visual |
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Take
Care |
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As I write, my eye catches sight of a small,
brilliant oil painting propped on the left of the armoire.
Its position here is temporary.
Or is it? It certainly
adds interest to the cabinet. I
can’t seem to keep my eye of it. It
complements the painting hanging next to and the ceramics arranged in
front of it. This small oil is one of six featured in a recent
show that shared gallery space with my own work.
On behalf of the colleague who created and helped hang the show but
couldn’t take the works down herself, I did the favor of de-installing
it and the other five canvases with my own artwork.
Serendipitously, the show’s closing coincided with the end of the
calendar quarter and the opening of a show at the space I curate.
As the second exhibit went up, I realized I could use the small
paintings, though not all six, at the newer venue. Over the phone, I asked my colleague to do me the favor of
exhibiting five of the six paintings in the newer show.
She agreed. Within days I went from being a participating artist,
to taking complete responsibility for a new show’s success. For the
second exhibit to be successful I turned to work and maker I knew. I asked the artist to regard the confidence she had in me, to
trust me to transport, hang, store and return her artwork. Confidence builds through action over time. Here’s what I did for this recent experience. I photographed the works after hanging them at the
second show. They were
photographed as they appeared in the space beginning with Object #1 and I
created a page for each piece that contains the following information: Re:
Object #
Title: _________________________
Subject: Description: unframed framed (circle one) Distinguishing Features:
_____________________________ Medium: ______________________ Dimensions:
_______________ Condition:
_____________________
date:
Price: ______ Notes: Artist’s full contact info, return and or purchase
information on reverse. I learned through our phone conversations that the artist had photographs of the paintings but didn’t have a paper inventory. For her and others I suggest a page similar to the above with space for publication, exhibition and photographic information. These sheets can be punched with three holes for a binder. In my studio, I number each object as well as title them. Occasionally I change the title but the object #, also on the object, is firm. Object #
Title: _________________________ Subject: Description: unframed
framed (circle one) Distinguishing Features:
________________________________________ Medium:
___________________ Dimensions:
_____________ Shown: Published: Storage Location: _______________ Condition:
______________________
date: Price: Photography: Notes: Update: I
learned my colleague will visit before year’s end.
I will wrap all unsold paintings, store them in a safe place and
have them ready for her to pick up. Take Care, Everyone. Object #
Title: _________________________ Subject: Description: unframed
framed (circle one) Distinguishing Features:
________________________________________ Medium:
___________________ Dimensions:
_____________ Shown: Published:
Storage Location: _______________ Condition:
______________________
date: Price: Photography: Notes:
Lynn Carlson lynncarlson.us Crystal Lake Winter 2010 |
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Lynn Carlson, M.A., M.S. |
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